From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Tags
- Analog-Photography
- Aperture
- Bear-Creek
- Biometar
- Biometar'Lens
- Black-and-White
- CZJ
- Close-Up-Photography
- Epson V800
- Essay
- Film
- From-my-Front-Door
- Grand-Canyon
- Ikonta
- Ilford-FP4
- Ilford-XP2
- Landscape
- Lens-Repair
- Lomography
- Medium-Format
- NegativeLabPro
- Pentacon-Six-TL
- Postdam-100
- Sedona
- Zeiss-Ikon-Contina
- Zeiss-Ikon-Ikonta
- Zeiss-Ikonta
- Zeiss-Proxar-Lenses
- Zine
- Zion
- analog photography
- camera
- darkroom
- film
- scanning
Analog-Photography
1
Articles
Aperture
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Bear-Creek
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Biometar
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Biometar'Lens
1
Articles
The Pentacon Six TL - My Latest (and Final!) Camera Addition
Specifications Lens: Carl Zeiss Jena Biometar 2.8 / 80mm “Zebra” Camera...
Black-and-White
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
CZJ
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Close-Up-Photography
1
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Epson V800
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
Essay
2
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Film
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
From-my-Front-Door
3
Articles
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
Exploring the Zeiss Ikon Contina IIa - A Bargain Camera with Surprising Results
I tested my $15 Zeiss Ikon Contina IIa, paired with Ilford HP5 Plus 400 B&...
Silent Witness: The Tree That Nurtures
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Grand-Canyon
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
Ikonta
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Ilford-FP4
2
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Ilford-XP2
2
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Landscape
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
Lens-Repair
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Lomography
1
Articles
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Medium-Format
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
NegativeLabPro
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
Pentacon-Six-TL
6
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
The Pentacon Six TL - My Latest (and Final!) Camera Addition
Specifications Lens: Carl Zeiss Jena Biometar 2.8 / 80mm “Zebra” Camera...
Postdam-100
1
Articles
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Sedona
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
Zeiss-Ikon-Contina
2
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Exploring the Zeiss Ikon Contina IIa - A Bargain Camera with Surprising Results
I tested my $15 Zeiss Ikon Contina IIa, paired with Ilford HP5 Plus 400 B&...
Zeiss-Ikon-Ikonta
5
Articles
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
Silent Witness: The Tree That Nurtures
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
How to Shoot the Zeiss Ikon Ikonta 521/2
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Timeless Charm of My Zeiss Ikon Ikonta 521/2 (1938)
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Zeiss-Ikonta
1
Articles
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Zeiss-Proxar-Lenses
1
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Zine
3
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Zion
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
analog photography
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
camera
2
Articles
How to Shoot the Zeiss Ikon Ikonta 521/2
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Timeless Charm of My Zeiss Ikon Ikonta 521/2 (1938)
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
darkroom
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
film
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
scanning
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.