The Art of Witnessing
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
A photographer returning to film through vintage Zeiss cameras. A personal practice shaped by slowness, repetition, and attention — one frame at a time.
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.