From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Tags
- Analog-Photography
- Aperture
- Bear-Creek
- Berlin
- Biometar
- Biometar'Lens
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- Close-Up-Photography
- Darkroom
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- analog photography
- analog-photography
- camera
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Analog-Photography
1
Articles
Aperture
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Bear-Creek
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Berlin
1
Articles
Berlin, 1974
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
Biometar
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Biometar'Lens
1
Articles
The Pentacon Six TL - My Latest (and Final!) Camera Addition
Specifications Lens: Carl Zeiss Jena Biometar 2.8 / 80mm “Zebra” Camera...
Black-and-White
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
CZJ
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Close-Up-Photography
1
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Darkroom
1
Articles
Berlin, 1974
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
Dorsten
1
Articles
The Art of Witnessing
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
Epson V800
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
Epson-V800
1
Articles
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
Essay
6
Articles
Who Made This?
An essay on authorship in the age of the prompt — what analog photography, a monkey, and a 140-year-old Supreme Court case have to say about who really makes a picture.
The Art of Witnessing
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
Berlin, 1974
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Film
1
Articles
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
From-my-Front-Door
3
Articles
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
Exploring the Zeiss Ikon Contina IIa - A Bargain Camera with Surprising Results
I tested my $15 Zeiss Ikon Contina IIa, paired with Ilford HP5 Plus 400 B&...
Silent Witness: The Tree That Nurtures
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Grand-Canyon
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
History
1
Articles
The Art of Witnessing
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
Ikonta
2
Articles
The Art of Witnessing
A 1974 photograph of a Nazi-era memorial in Dorsten, Germany — shot on my father's Zeiss Ikon Ikonta — and the erasures that followed.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Ilford-FP4
2
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Ilford-XP2
3
Articles
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Keywords
1
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
Kodak-Gold
1
Articles
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
Landscape
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
Lens-Repair
1
Articles
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Lightroom
2
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
Lomography
1
Articles
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Medium-Format
2
Articles
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Metadata
1
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
NAS
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
NegativeLabPro
3
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
Pentacon-Six-TL
9
Articles
Who Made This?
An essay on authorship in the age of the prompt — what analog photography, a monkey, and a 140-year-old Supreme Court case have to say about who really makes a picture.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Carl Zeiss Jena Biometar f2.8/120 – Aperture Stuck Repair
A factual walkthrough of diagnosing and repairing a stuck aperture on a CZJ Biometar f.28/120 lens, including rear and front cleaning, graphite lubrication, and lessons learned
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
The Pentacon Six TL - My Latest (and Final!) Camera Addition
Specifications Lens: Carl Zeiss Jena Biometar 2.8 / 80mm “Zebra” Camera...
Postdam-100
1
Articles
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Sedona
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The-Art-of-Seeing
1
Articles
Berlin, 1974
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
Workflow
2
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
Zeiss-Ikon
1
Articles
Berlin, 1974
A photograph from East Berlin, 1974 — the Berliner Dom, the Fernsehturm, a sixteen-year-old with his father's Zeiss Ikon, and why old photographs keep teaching us how to see.
Zeiss-Ikon-Contina
2
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Exploring the Zeiss Ikon Contina IIa - A Bargain Camera with Surprising Results
I tested my $15 Zeiss Ikon Contina IIa, paired with Ilford HP5 Plus 400 B&...
Zeiss-Ikon-Ikonta
5
Articles
Silent Witness: The Fall of the Tree
It’s been a while since I wrote Silent Witness: The Tree That Nurtures, a ref...
Silent Witness: The Tree That Nurtures
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Adventure Begins: Three Films, One Camera
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
How to Shoot the Zeiss Ikon Ikonta 521/2
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Timeless Charm of My Zeiss Ikon Ikonta 521/2 (1938)
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
Zeiss-Ikonta
4
Articles
Who Made This?
An essay on authorship in the age of the prompt — what analog photography, a monkey, and a 140-year-old Supreme Court case have to say about who really makes a picture.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
Zeiss-Proxar-Lenses
1
Articles
Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon Contina IIa
Mastering Close-Up Photography with Zeiss Proxar Lenses for the Zeiss Ikon ...
Zine
4
Articles
The Doors of Perception — As It Is
The third and final volume of The Doors of Perception photographic essay series. Four movements, one argument: the world is already infinite — if you let it be.
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
The Doors of Perception
A photographic essay on thresholds, attention, and the slow art of seeing — shot on medium format film with the Pentacon Six TL and Zeiss Ikon Ikonta 521/2. Edition 1, 2026.
From My Front Door – A Second Look
Returning to familiar paths near home with a Zeiss Ikonta and Pentacon Six TL — a second look at Bear Creek, local parks, and what repetition reveals in landscape photography
Zion
1
Articles
The Doors of Perception — What the Land Remembers
A photographic essay in four movements — Confinement, Character, Expansion, Seeing — shot on medium format black-and-white film across Zion, Sedona, and the Grand Canyon. Edition 2, 2026.
analog photography
2
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
analog-photography
2
Articles
Keywording Analog Film: Building a Metadata System That Actually Works
How I adapted a 1,786-keyword foundation list into a focused hierarchy for analog film photography — and why most of those keywords had to go. With a downloadable keyword cookbook and ready-to-import keyword file.
From Scan to Print: My Analog Film Workflow Cookbook
The complete workflow I use to process medium format film — from Epson V800 scanning through Negative Lab Pro, Lightroom Classic, and all the way to print. With a downloadable PDF cookbook.
camera
2
Articles
How to Shoot the Zeiss Ikon Ikonta 521/2
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
The Timeless Charm of My Zeiss Ikon Ikonta 521/2 (1938)
Lens: Zeiss Tessar 4.5 / 10.5cm Camera Serial Nr.: F23627 Lens Serial Nr.: 22...
darkroom
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
film
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
lightroom
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
macOS
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
migration
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
scanning
1
Articles
Rediscovering the Negative: Why I Scan My Own Film
In analog photography, every print is interpretation. Here's why I stopped trusting lab scans and started scanning with my Epson V800.
synology
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.
workflow
1
Articles
Photographer's NAS Migration Guide: Windows to Mac with Synology
A complete storage architecture and migration plan for photographers moving from Windows to macOS with a Synology NAS. Includes a critical Lightroom Classic macOS bug workaround.